This has been a glorious year for bookworms. The quantity and quality of Stuff Your Kindle Days has been unprecedented, and the schedule is showing no signs of slowing down. We've got two events on the calendar for this week, but for now, the focus is firmly on the Sapphic Shelf Explosion.
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The desk is infinitely adjustable, but not quickly adjustable. It stays at standing height. Until recently, I would switch throughout the day between standing on a balance board from FluidStance and sitting on a Håg Capisco stool. Both have now been replaced by an inexpensive treadmill. I’ve found typing while walking to be easier than I’d imagined, but using my trackball mouse to be a bit more difficult than expected. So I’ve customized the mouse significantly to increase its functionality and to reduce the need for precision.
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1975年上映的《镜子》是塔可夫斯基极具个人色彩的作品，也是《殉道学》中反复提及的创作执念。这部影片几乎是他的自传式表达。他邀请母亲亲自出演，让诗人父亲阿尔谢尼的诗歌作为画外音贯穿全片，整个筹备过程是他对童年时光的一次深情探访。为了还原记忆中的场景，塔可夫斯基和摄制组做了无数近乎偏执的努力：根据老照片将废墟精准还原，在40年前的原址“复活”被时光摧毁的那栋房子；为了重现童年时如白雪覆盖般开满荞麦花的田野，他们在早已改种苜蓿和燕麦的集体农庄重新播撒下荞麦种子。